Released: 2024
Ladeez and gennulmun, allow us to preeezent – the BANGER. Was it always like this? way back when ancient tribes in fifty thousand years ago were playing the ol’ nose flutes and skull drums, did they all suddenly go mad at Ug’s beats, demanding he play that choon again as they drove another herd of animals over a cliff edge?
Probably. Making them though seems to come more easily for some than others. Joy Orbison – Peter O’ Grady to the people who know him best – emerged over fiteen years ago with the anthemic, cut-up UK Garage of Hyph Mgno and has been able to navigate between underground production and big room DJ-ing ever since.
That kind of experience tends to pay off; it helps you conjure up a track as you wait for a lift to Lost Village Festival, then test it on the car stereo whilst en route. Like much of his past repertoire flight fm was as much about what it didn’t do as it did, the low slung sub bass featuring somewhere on the Richter scale, whilst it’s clipped beats made up for the teasing, almost absent drop. All it needed was some nose flute and we could’ve danced our bearskins off to it.
The Voice Of Unreason 