Definitely not “Indie landfill”.
I Like Trains – KOMPROMAT review
If ever a picture sums up the feelings which some are constantly bottling inside them, it’s surely Munch’s The Scream;…
The Killers – Imploding The Mirage review
It’s almost impossible to come across a new release in 2020 without the artists making reference to change, whether it’s…
100 Greatest Songs of the 80’s #42 808 State – Pacific State
Released: 1989 Nothing comes from absolutely nowehere: in the annals of the UK’s house music scene it’s a popular myth…
The Chills – Submarine Bells/Soft Bomb re-releases review
The last time The Chills played in Leeds they had the misfortune of turning up on a sunny Summer’s Monday…
100 Greatest Songs of the 80’s #43 Pixies – Monkey Gone To Heaven
Released : 1989 It’s pretty pointless now, but compare and contrast as the exam question of the time requested the…
Biffy Clyro – A Celebration of Endings review
An album that reveals Biffy Clyro’s darkest side, but it’s one that both 2020 and they needed in order to make sense of a turbulent past and a chaotic future.
Glass Animals – Dreamland review
They say you should always write about what you know, but on Glass Animals last outing How To Be A…
Ian Skelly – Drifter’s Skyline Review
Overthinking often stifles creativity. Whilst it might’ve taken three years for Def Leppard to complete Hysteria, Ian Skelly – drummer…
Ellie Goulding – Brightest Blue review
It’s been five years since Ellie Goulding released her third album Delerium, a record she’s more recently been quick to…
The Voice Of Unreason 